317. BARDO THODOL

Written by Chip Johannessen and Virginia Stock
Directed by Thomas J. Wright
Original Air Date: April 23, 1999

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Brief summary: The horrors of Millennium Group biogentics fall upon a dying Japanese scientist who seeks redemption at a Buddhist monastery and answers from Frank... who is unable to provide them.

Rogue's Review: Goodness, this was a strange episode!!

Perhaps it's my lack of familiarity with the complexities of Buddhist philosophy that left me muddling helplessly through the symbolism and significance of "Bardo Thodol." Whether it was the purpose of the red lacquer bowl (other than its obvious MM-related sign of circularity) or the importance of the holy box (relic?) the elder monk brought out to oversee the deathbed rite of passage of Steven Takahashi, much of the rituals left me shaking my head in puzzlement... even as the overall episode chilled and pleased me to a large extent.

Don't get me wrong -- after the brilliant Chinese puzzle box that was "Darwin's Eye," this one is a bit of a letdown (sort of like "Siren" after "Owls/Roosters") but "Bardo Thodol" is still a fairly exciting outing, especially as its convoluted twists and turns at last lead Frank Black into a showdown with mysterious Group assassin Mabius. A showdown that goes surprisingly differently from what we'd been led to expect.

(Am I wrong in thinking this episode was supposed to precede "Darwin's Eye"? At the close of "Bardo Thodol," Emma seems to be spinning toward that leave or vacation time McLaren mentioned at the start of last week's episode. Seems to make a bit more sense in that order, from that perspective. Otherwise, no big problem with the current lineup.)

Easily the high point of "Bardo Thodol" is the performances of Tzi Ma and James Hong as Takahashi and the Elder Monk, respectively. These are two really, really talented actors, and it's unfortunate we don't often get to see more of them (lately, Hong has been relegated to fun but mildly embarrassing bit roles in things like WAYNE'S WORLD 2 and the Chinese restaurant episode of "Seinfeld").

The hour also benefits from intensely moody, rich storytelling (which suffered, as is often the case, from that damned 44-minute time limit) and the latest in an end-of-season avalanche of apocalyptic portents. It seems wholly evident now that, as the episode's weird computer virus warns, "we're racing toward an apocalypse of our own creation." Whether they're plotting Armageddon or meddling with human genetics, the Group seems intent on leading us toward a turning point in human history... one it absolutely intends to dominate and control.

But dammit, even in a Group-driven ep, Peter Watts remains little more than a cipher. So much of what has unfolded this season has fallen directly upon his shoulders, and it's time to see the effects of that, not just the occasional CSM-like visit that springs more plot twists upon us and this time around gives Emma a chance to scream "Hey, bald man!" (Admittedly, that was a surprise -- and a hoot!)

The central enigma of "Bardo Thodol" -- the nature of the research undertaken by Takahashi -- remains a mystery at the close of the hour (unfortunate shades of XF again, but what the hell -- even some of the music was reminiscent of XF; it didn't distract too much). In the end, it's the personal growth of Frank Black as he helps to shepherd a fellow Group renegade through the final traumatic moments of his life that really strikes home... and Takahashi's weird death is rendered even more mysterious by the reverential treatment he's afforded by Mabius when the killer finally arrives.

Emma gets to shine a bit more this time around, despite some unlikely contrivances -- she sure waltzes into that secret facility easily, doesn't she? Or did Peter and the Group arrange for that ease of access? Are they still setting her up to take a great leap of faith with them?

Overall, "Bardo Thodol" dwells a bit too much on the "ick" factor for my tastes, and it doesn't satisfy as well as "Darwin's Eye," another standalone that seems likely to be setting up the season's final episodes, but it gets big points for mood and mystique, not to mention Takahashi's emotional journey out of this world and into the next. We even got another welcome scene with spunky Brittany T., who continues to be the big delight of the season.

So where the heck can I get a copy of Nina, Samurai Princess? [RATING: 7/10]

   
   

 

   
     
   
     
 

reviews by Rick Smith (1996 - present) and website by Matt Asendorf (2004), property of Paper Street Productions