306. SKULL AND BONES

Written by Chip Joannessen and Ken Horton
Directed by Paul Shapiro
Original Air Date: November 6, 1998

printable version
(opens in new window)

 

Brief summary: The discovery of human remains beneath a highway prompts an investigation by the FBI and soon reveals a sinister connection with The Millennium Group. Despite confrontations with Peter Watts, Emma uncovers the truth behind the death of former Group member Cheryl Andrews.

Rogue's Review: "Skull & Bones" is the best hour of entertainment MILLENNIUM has delivered since its Season Three premiere... mainly because it spent 44 minutes teasing and tantalizing us with cryptic observations on the nature of the Millennium Group and the shocking (well, not really - I'd anticipated this twist) realization that Cheryl Andrews' betrayal last season was not quite what it seemed.

That said, it's unfortunate the producers were only able to accomplish this sharp rise in quality via the creaking device of a sinister conspiracy so reminiscent of THE X-FILES. From the quirky nameless "Writer" who introduces Frank Black to this new strain of the Group's menace to the obligatory foot chases, rambling tales of conspiracy (a halo effect before the Oklahoma City bomb blast??), and the ep's-end helplessness of our heroes to prevent yet another coverup, "Skull & Bones" could have been lifted whole and unchanged from the pages of XF's mythology.

Still, masterfully shot and well-played by its leads, the ep deserves a lot of credit for putting the series back on track in regard to its sinister apocalypse themes. Peter Watts remains a source of deep disappointment, however, as does the complete waste of one of the series' most memorable supporting characters: Cheryl Andrews. Can't help but applaud her final scene, however - rarely does television get away with such gruesomeness as the sequence in which Andrews meets her fate. Jesus, how do these eps continue to get away with TV-14 ratings?!

I know fans of both shows will scream about XF comparisons. But the plotting of "Skull & Bones" only beg them - Frank Black is becoming more and more Mulderish each week. Lance Henriksen's performance hasn't lost a smidge of credibility, but now he's even spouting arcane references to "the truth." And why -- if the Group can kill anyone, anywhere, anytime -- didn't they simply execute Frank and his entire family in the woods? We don't know WHY Cheryl Andrews was executed (I believe the autopsy stuff was pure smokescreen; she moved against them -- that was enough) but if she was so quickly and efficiently snuffed, why leave Frank alive to cast doubt on the Group?

Character thoughts: I miss Jordan, dammit! Three weeks and no mention? CCH Pounder was superb, if only briefly. Arye Gross was excellent as The Writer, a character I hope we see again (don't bet on it). Terry O'Quinn, on the other hand, has never been so off his game. I don't know whether Watts was just shallowly written here or if O'Quinn is just fed up with the inconsistent characterization... but could he have been any more obvious in telegraphing "I AM BEING SUSPICIOUS" throughout the hour? It was priceless to watch him stroke Baldwin, but his reactions to Emma were pure pulp. O'Quinn's a better actor than that.

And I'm utterly sick of Andy McLaren, Frank's boss. The character is so inconsistently written he's becoming a joke. He spouts platitudes and banters in a friendly way with Frank at the start of every episode he's in, and 25 minutes into the story, he's pissed purple because Frank is out there doing his job. I'm about ready to see McLaren suffer that stroke he always looks on the verge of having. Get rid of him.

Most aggravating is the fact that now, more than ever, I want a deluge of Group-driven episodes that build upon the new framework "Skull & Bones" has laid! Morgan & Wong may have overdosed us on Group mythos, but the complete dearth of it until this point in Season Three has made me realize how absolutely starved for Group stories I've been. We can only hope the standalones see a sharp increase in quality to sate us til the next time Watts and his cronies poke their heads out.

"Skull & Bones" is the first ep to get back on par with "The Innocents" this season. The hour added a new layer to MM's endlessly ponderable mythology, and for that, I'll admit to being really grateful... and a touch annoyed at feeling gratitude for an episode that is mainly a carbon copy of an X-FILES mythology ep. [RATING: 7/10]

   
   

 

   
     
   
     
 

reviews by Rick Smith (1996 - present) and website by Matt Asendorf (2004), property of Paper Street Productions