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119. BROKEN WORLD
Written by Robert Moresco and Patrick Harbinson
Directed by Winrich Kolbe
Original Air Date: May 2, 1997
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Brief summary: A rash of horse mutilations
in North Dakota puts Frank in pursuit of a killer,
who he believes will soon begin to claim human
lives.
Rogue's Review: Ugliness abounds
in this episode revolving around the mutilation and
slaughter of horses - and then women - in a North
Dakota farm community. Even more unsettling that it
should open so beautifully, with a majestic sunset
shot of a rider bringing her mount home for the night...
only to face the disturbed killer. "We're witnessing
the birth of a psycho-sexual killer," Frank warns.
"Broken World" is a real change of pace
after the twin successes of "Lamentation"
and "Powers, Principalities..." Perhaps
that, in part, caused a lot of what I perceived as
general dislike for this outing after it initially
aired. But the subject matter is also unpleasant in
a way that is undeniable - there's no getting around
the discomfort caused by the infliction of pain on
dumb animals. Easier to grapple with the horrors of
watching fictional human suffering? Maybe - if only
because it's easier for us to remember the humans
are actors. Harder to accept horses as actors playing
roles... we sense real terror emanating from them.
It is that same animal terror that drives the killer
to his crimes, substituting mutilations of the horses
for the sexual gratification that he is unable to
achieve with women. Frank and Peter attempt to interrupt
the natural progression of the killer from animals
to human victims.
And that's where "Broken World" fails.
An engaging premise - Frank trying to stop a serial
killer before he starts - but it is hard to accept
the way their investigation unfolds. Frank goes to
all the trouble of publishing a phone number where
the killer can reach him to talk... and then allows
that phone to be answered by police, almost certainly
guaranteeing the killer will panic and react in a
violent manner? Hardly like our protagonist, isn't
it? And the local cops - and even Peter - are awfully
skeptical about certain details. Someone is killing
horses and then assaults a woman... but when a truck
driver and his hogs are found murdered, no one wants
to believe there's a connection? Even so hard on the
heels of the attack on Sally Dumont and Frank's supposition
that the killer is evolving? Again, strange.
The whole concept of these crimes and the way local
law enforcement reacts is unlikely. Frank says there
have been 21 previous attacks on horses. In horse
country, wouldn't lawmen warn horse owners of this
fact? Horses are not cheap, and their owners are notoriously
protective. Regardless, I had trouble believing the
second human victim would be so comfortable with ANY
man standing in her stable, acting so odd - whether
or not she knew who he was, and whether or not she
was aware of attacks on other horses or their owners.
Furthermore, there are a lot of leaps in this episode,
mainly the luck of tagging the killer's relationship
to the horses so quickly, thanks to a well-delivered
soliloquy on the trusting nature of horses from Jo
Anderson as the vet, Claudia Vaughn. She's terrific,
by the way.
The preachiness of "Broken World" is a
problem too. Had this been a more believable episode
overall, that would have been acceptable, but because
there is so much skepticism caused by the threadbare
logic of the ep, it's hard to swallow figures about
PMU (pregnant mare's urine) and the unconscionable
treatment of certain animals in this country.
Finally, the outcome of "Broken World"
is both thrilling and a disappointment (and not just
because Frank is hardly fazed by a cattleprod shock
that has laid others out cold!). It's fitting how
the killer is ultimately stopped, but at the same
time, it's hard not to want to criticize the overt
symbolism - again, because it's been hard to stomach
so much of what has come before. By comparison, take
a look at the finale of "Wide Open," in
which justice comes not from man but from beast. "Wide
Open" did it right. "Broken World"
never quite stacks up. [Rating: 5/10]
"My work normally begins with dead bodies...
multiples of dead bodies. I came here because I think
we have a chance to stop this killing before it starts.
You're witnessing the birth of a psychosexual killer."
-- Frank Black |