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109. WEEDS
Written by Frank Spotnitz
Directed by Michael Pattinson
Original Air Date: January 24, 1997
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Brief summary: The citizens of a
gated community turn to Frank when teenage boys become
the target of a self-righteous killer who is punishing
them for their fathers' sins.
Rogue's Review: Like "522666,"
something about "Weeds" just doesn't quite
click, which is a shame, because the episode had a
promising premise. Someone is kidnapping young men
in a gated community, a planned housing area populated
by moderately affluent folks who came here to escape
the hassles and horrors of urban living. But there's
a sickness at work in their midst, a punisher bent
on exacting Biblical punishment.
The sins of the father are much on the minds of the
residents of Vista Verde, and Frank and Group pathologist
Cheryl Andrews (the versatile and delightful CCH Pounder)
gradually learn they are tracking a local - someone
privy to the secret sins of various other residents.
Where "Weeds" falls short is, simply, a
convoluted, confusing plot, one gaping hole, and one
odd omission. The various sins of Vista Verde's fathers
are hardly given enough screen time, while the similarities
in the appearance of many of them - which should have
been a neat trick to help confuse the real killer's
identity - merely make it nettlesome to keep track
of who's who. There is also a thunderingly stupid
mistake on the part of Frank and the local police
in guessing the actions of one guilty father, Birckenbuehl;
given all the previous insight Frank has shown into
human nature, it seems unlikely he would have permitted
Birckenbuehl the opportunity to take the action he
does.
And finally, "Weeds" seems detached from
the kind of close-to-home reality we've seen in other
episodes, in which events in Frank's home life smoothly
mirror the central storyline. Instead of examining
Jordan's strange gift, her link to her father's innate
ability (inheriting the accepted "sin" of
her father, as it were - his embrace of darkness for
the purpose of fighting it), we're treated to a rather
mundane "How was your day, honey?" sequence,
in which Megan Gallagher gets to do little more than
look pensive and the creators hamhandedly link the
prerequisite Black family moment to the plot with
an awkward, clue-dropping visit from the killer. Granted,
Frank's transgression is not so evident - he has wronged
no one but Jordan herself by passing on his talent
to her, but the parent/child relationships that are
central to this outing could have benefited from additional
development of Frank's bond with his cherished daughter.
The episode wins a lot of its points for the entrance
of CCH Pounder as Cheryl Andrews - this appearance
is notable for the fact that the Vista Verde security
is hesitant to admit her inside - obvious racial overtones
that emphasize the paranoia and defensiveness of these
(all-white) closed-community folks. [Rating: 5/10]
"I hope this tragedy can bring us all
together--that it can strengthen the ties that bind
us, rather than tear them apart." -- Edward Petey |