M I L L E N N I U M "The Maria Filter" by S.T. Shimi (stshimi@excite.com) ----- In grade school, Mrs. Williams was Maria's favourite teacher. She always praised Maria's poems and told her she could go far if she put her mind to it. She gave her cinnamon sweets from her capacious desk drawers, and told her she was a brave little girl and not to worry that her daddy wasn't around, she was a brave little girl and she was going to make her mother so proud one day. After one of these countless pep talks, Maria reached out to hug her as usual. The world tilted and crashed into bright blues and reds, so blinding and intense that she felt the rumble of nausea. Mrs. Williams' face swum before her, concern morphing into implacable cruelty. Over the roar in her ears, Maria watched as Mrs. Williams reached into her desk drawers and pulled out a handful of bones dripping redly with flesh. "This is who you are," she said. Maria came out of her fugue state and stared, disoriented. There sat Mrs. Williams, blandly and safely concerned-looking. "Darling, are you alright?" She asked. "Here, have a cinnamon hot." She turned towards her desk and Maria ran out of the classroom, tripping over her red sneakers and reaching the girls' bathroom just in time. After the weekend, she came back to discover a new teacher in her classroom. Mr. Headley. There were rumours of Mrs. Williams being arrested, something about the remains of her daughter found in her freezer. Maria made a new friend in Liz Parker, developed a crush on Mr. Headley (who kept a jar of tootsie rolls on his desk and who told her she had a nice voice) and that was the first time it happened and life went on. The years had seasoned Maria to the vagaries of her condition. There was always blinding pain and nausea, bright colour shifts and roaring noise. She had trained herself to look out of the corner of her eye at the images. If she looked directly, you see, they talked to her. Come to us, they said. Look at yourself. And she never had anything to say. Amy DeLuca was doing her best to raise herself and her child. A new scheme every week, and a never-growing bank account. Maria never resented her mother, had always accepted the state of her life. They were parents to each other and parents kept things from their children, didn't they? Things that might hurt, disturb, terrify? What she and her mother did best was adapt to circumstances. Meat was expensive and being vegetarian was better for the planet anyway. Clothes from the mall were boring and expensive and conforming and were linked to sweatshops in the Third World. She couldn't tell her mother about her condition and upset her and how could they explain it to a doctor and could they afford the fees anyway and maybe there was something in this alternate medicine thingy and if her mother could figure it out so could she. So she researched and she adapted. There were essential oils for her specific headaches and nauseas and stress points on her body to massage. If she really concentrated on her breathing when she did yoga with her mother in their living room (because her mother could only afford two classes a month for herself) she could even create a little safe zone in her head, and at the first sign of crashing colours, she could mostly hide in there. It wasn't something she wanted. That is what she told herself. She sprayed her pillow with lavender and hoped that she wouldn't wander into a dream ruled by colours and noises and the pale, brown-haired woman who smiled at her and asked her to come closer and sometimes turned into a horned thing with teeth for eyes. If she concentrated she could wake up sometimes. Other times all she could do was slow down her dream self as she got closer and closer to the woman who was sometimes a long haired man whose eyes were cold and whose voice was little razors scraping across the back of her neck. But Maria couldn't help herself. She kept her hands hugged fiercely around her own body, unless she was with Liz or Alex and tried not to brush against people. She held her breath when it happened and most times, it was alright. Once or twice, the colours shifted and she saw things that made no sense, until she read about it in the papers. Billy Eyre, who was part of a group of jocks who had a sick little game going with freshman girls, involving videotape and a lot of drugs. Deputy Horn, who had turned out to have kicked a black man to death and lied about it. Sherrie Gonzales, who had been cutting herself because the Virgin Mary had told her to. Things she didn't want to know, about people she had no interest in. Even so, she pored over newspaper articles about secret government agencies, rumoured bio-testing, violent crimes. Was she an experiment? Would they discover her and take her away one day? Were there other people like her? Why did she see the things she did? Sometimes, she brushed her hand over a picture, of a wanted killer, say, and could feel herself slipping into the vortex. The images, the colours.... and as the killer turned to her to speak - that was what the cypress oil was for, to help her snap out of it. It was like passing your hand over and through a flame. She didn't know why she did it but it helped to pass the time. What would she do without Liz and Alex? It was a relief to talk about literally nothing and everything, and the louder and faster she talked, the further she could leave it all behind. She walked down the school halls with Liz, arm in arm and felt the glad warm pull of friendship. She liked her life in Roswell. Maybe this thing, it was something in the water. And when she left Roswell for good, she would leave it behind with her thrift-shop worn clothes and useless vials of essences. They came into the Crashdown all the time. Where else were they going to eat, it was no big deal. She always tricked Liz into serving them she knew her friend had a crush on the one with big ears. The other two... she felt the prickling that signaled the onrush of her condition but it never happened. Instead she felt- nothing. Nothing but regular, bored human (how's that for irony?) hostility. And her life went on. The day Liz got shot, things changed. Finally, something so big that it crowded out everything else. Her concern for Liz was overwhelming and morphed into paranoia and resentment. What was Liz keeping from her? How could she? After all, if she could explain her condition she would share it with Liz. That was different anyway. Of course she ran out screaming after Liz caved in. First of all, it was the most ridiculous thing she had ever heard. And then, what was she supposed to say? "Oh, Liz! This is as interesting as this strange phenomenon that overcomes me every so often. Do you think I could be an alien too?" She dismissed this theory shortly after being pulled into the alien conspiracy. It just didn't seem to jibe with the Samantha-Jeannie powers they had. And if worrying about Liz was a time-suck, then all of the labyrinthine plotting was an even bigger diversion from her problems. She didn't care how rude they were, how ungrateful Isabel and Michael could be, so long as she could sink into a blessedly blank sleep at the end of the day, (except for the first few anxious dreams about what she had gotten herself into). She could still feel the woman on the edge of her consciousness but she managed to push her away. If Max and Isabel were ciphers to her, then Michael was simply an enigma. Until the day he'd kissed her so intensely, she had never given him much thought. But the conversation they had at the Sultan Sleep-Away made her curious about him. "He gives off these vibes," she had told Liz. She had felt many things from him: lust, curiosity, tenderness and furious self-loathing for feeling said tenderness. And as their relationship stuttered along, she discovered that the one vibe he sent off constantly was need. Need to find answers, a need to be with her, a need to push her away, a need to leave, simple overwhelming need. Her annoyance with his emotional skittishness warred with her helplessness against his wants. Vibes that pushed out all her thoughts, took over all her concerns. When Maria touched him frantically, there was nothing else and oh, how sweet and hot that was. She loved him. She did. And that made her determination to keep him purer. She would not, could not lose the one thing that kept her from going under, no way. She laid up stocks of oils, sprayed her pillows every night and just kept breathing. After the incident, the night they almost lost Michael, she drove Liz and Alex home. The others had immediately glommed together and hustled Michael off. Maria drove, in a haze of hurt, barely hearing Liz and Alex talk about the corner they had turned, the trust they had built with the others (hah!). It was over with Michael. Again. Was this really what she wanted? To exchange one sort of fear for another, one set of problems for an entire solar system of issues? She was starting to get addicted to him, she could feel it. But if he wasn't the answer to her condition, what was? Did she have the courage to find out? It was time to go on her own little vision quest. Hell, she'd had a little practice hadn't she? She didn't spray her pillow that night. Everything was a bright buzzing blue. Cerulean blue, to be exact. The first wave of nausea hit her, and when she stood up shakily, the woman was there. Come to me, she seemed to say, without moving her lips. Maria found her feet speeding above the ground. The woman's smile was cold and sweet. You are mine, she said. Maria swallowed hard and heard her own voice, for the first time in the cycle of nightmares. You don't know who I am, she said clearly. The long haired man with the cold, sweet smile reached into her chest, never breaking his gaze with Maria. He pulled out a shard of glass and held it up to her. You will know me, and then I will come for you. The woman pushed the glass back into Maria's chest and watched her sink to the floor in silent agony. Maria woke up with a start. She touched her hand to her beating chest and it came away bloody. She flicked her light on and found herself trapped in a bed that was slick and stiff with blood. She tried to scream. She could not. She tried to move her legs. She could not. She squeezed her eyes shut and wished for religion. When she opened them again, her sheets were their usual rumpled blankness. She kept the light on until the morning sun broke loose. She did not sleep. Life went on. Max and Liz broke up again and she found some small measure of comfort and irony in helping Liz "get over him". She had reached out to Michael often enough and only gotten her hand slapped away. She felt his hot, reluctant gaze on her neck and grew better at ignoring it. She even let Liz bribe her into going on that hideous father/child camping trip. Liz would owe her, that was all. As if mere money could compensate for uncomfortable nights sleeping on the ground and putting up with Kyle's bratwurst eating and bad ghost-story re-enactments. Old habits were hard to break. She found herself wandering after Liz late that first night and stumbled into yet another hushed conversation between her and Max. Isabel spotted her and rolled her eyes. "Great, why don't we send up a flare or something?" she said snidely. Maria narrowed her eyes. Isabel had yet to thank her for helping out with Michael and putting up with her panic-driven personal attacks. Max and Isabel wandered off and Liz moved to follow them. Maria grabbed her arm. "You just can't let him go, can you?" She was surprised, and accusatory. She needed Liz to be strong with her. She couldn't go to Michael with her own fears and truths, but she couldn't stand to be alone either. Liz looked at her, determination etched on her small face. "I don't want to. Are you coming?" Maria wanted to say no, but she valued her friendship with Liz more. She moved forward and suddenly the trees tipped to the side and it all went red. Liz's form wavered and changed into a man, with his back to her, silhouetted by four tall trees. He held out his hand, it had a stopwatch in it. And as he let it go, a low gutteral moan filled the night air. The stopwatch hit the dirt and Liz was still standing there, staring at her. "No, Liz, I'm not. I'll see you later, okay?" She turned away and walked back into the trees. When she turned around, Liz's back was retreating into the distance, towards Max and Isabel. She turned back around and her feet took her where she was meant to go all along. The four trees stood together in the clearing , like mournful primeval judges. Maria stood under them and breathed regularly and calmly. She closed her eyes and wished for happiness, for Liz and for herself. She opened them again and he was there. A young, tall man with dark hair and serious eyes, she bit back an urge to ask him if he was Max's cousin. He held out a stopwatch. He opened his hand to let it fall and she rushed forward and caught it. "Careful with that thing," she said. He looked at her with calm. "Do you know who you are?" he asked. Maria sighed and began massaging her favourite stress point on the back of her neck. She couldn't take this anymore. Dreams were one thing , even a waking hallucination which this appeared to be, after all her life had taken several leaps into the absurd, but this- "I'm Maria. I'm who I've always been. And you know, I'm really just a little sick of all this. Are you gonna tell me what this about, you know, if I'm crazy or an alien or something because, like, you guys ask me the same things and don't give me any answers and I'm not into all this mysterious crap, okay?" He nodded, impervious to her outburst. "Your time is running out." "What-what-what? Is that, like, a threat? What do you mean? Help me out here, pal-ly." She started to feel sick all over again. Now she was going to die, is that what he was saying? "There will be more signs. It will come to an end." He touched her face. His hand was cold. "You belong to her." He pried her hand open and she could see that the stopwatch had indeed stilled. He leaned in towards her, his voice holding a note of compassion. "I will come one more time, Maria. For you." His fingers brushed across her palm. There was a flash in the sky far away. The stopwatch disappeared and so did he. She stood there for a long time. She waited for the familiar feel of breath like tiny razors on the back of her neck, before she forced herself to come back to reality and found her way back to the campsite. She stared at the embers of the fire they had built earlier. She had told herself forever that there was something better out there than Roswell, New Mexico. But now, there was something and it wanted her dead. Something she couldn't explain to herself or to anyone else. What she would give to sleep without fear again.... "Hey." Kyle stomped over and sat down next to her. "Kyle." She didn't feel like talking. "Yeah, my night is sucking too. Where's Liz? Oh wait, let me guess. Max." Her silence didn't faze him. He poked moodily at the pile of sticks and continued. "Where is my dad, you might ask? I don't know, I would answer. Off chasing things that go bump in the night . I just haven't decided if I'm gonna stay pissed at him or start to worry- "he broke off and looked at her. Silent tears were flowing down Maria's cheeks. Her heart was squeezing inside her chest and she couldn't speak. Kyle moved closer to her. "C'mon now, Maria." He said awkwardly and gingerly put his arm around her. She leaned into him, her nose in his crinkly warm shirt that grew damp with her tears. They sat there like that for a very long time and then the Sheriff came back with Liz and the others and life went on. Maria grew thin with anxiety. Her hair hung limply and she spoke less, and only when Michael's safety was involved. She couldn't stay away from him, no matter what he said to her because his furiously tender embraces had snared her again. She was a weak-minded fool and she knew it. More than ever, she craved his closeness, the occupation of her mind with his desires. She dreamed much less and saw nothing but him. She set aside the newspaper clippings, the pictures of new and improved serial killers, and thought instead about "The Relationship". A new project, something she never thought she could have. Tess' arrival , Max's disappearance...she handled it all with equal mixtures of panic and aplomb. Then there was Isabel. She had never liked Isabel. As she waited with Alex, worrying about Liz and the others, Maria pondered her past and her future. Michael had said he loved her. Well, he had said "maybe" first. So who knew for sure? She cursed herself for not running after him, clinging to him. But as he had walked away, two things had happened. First, she thought of what she might have said to him about her own situation. And if she would have had the strength to let him go for his own good, if not hers. But also The lenses changed and it was all black and white. The young man with the stopwatch appeared and smiled. He opened his hand and his palm was missing, like a giant bullet hole. Through it the four trees flared out onto her retina and the whole scene rushed closer and closer to the sound of rubber burning and they had all gone, in pursuit of Nasedo and future revelations. She thought snidely that she could have told them that revelations were seldom- well- revealing. Not in the way you really wanted them to be. Then Liz came back, stumbling and sobbing and she was in their arms and choking out a tangled story of hologram mothers and alien warfare and arranged reincarnated mates and.... This life could not go on, thought Maria, driving towards the woods in the Jetta. They had waited all afternoon for the four (The Fantastic Four, as Alex had gloomily dubbed them) to return but of course, they did not. The entire affair had grown ludicrous, beyond Sci-Fi Channel plausibility (Not that she of all people could claim superiority in the matter). What was she supposed to do now? Engage in soap-opera vixen-like battle with Isabel for Michael? Continue to loan out the Jetta like some sort of Battlestar? Keep their secret but do nothing, as Tess (that fucking bitch!) would prefer, but wait , watch and worry? Every time Maria got up to gently pull Liz away from the window, she found herself looking for them surreptitiously and saw four trees in a parched black and white landscape instead. "I have to go do some stuff for my mom", she said at last, "I've been gone a long time." It was almost dusk and Maria stood at the edge of the woods. She closed her eyes and wished for-what? She opened them again and walked forward. The sounds of nature seemed harsher, dissonant. The rustling of the leaves underfoot seemed to propel her forward. She could see the four trees in the clearing ahead, and she felt the beginnings of a familiar prickle on the back of her neck. Suddenly, surprising herself, Maria used a burst of energy to turn herself around and she stumbled helter-skelter back whence she came. She could sense the hissing fury behind her but she did not dare look over her shoulder. An eternity later she saw her car up ahead and with a sob of relief she flung the door open , got in and gunned the engine. She finally dared look behind her and all was blazing red for a moment and then it stopped. Maria kept her foot on the pedal resolutely. Just as she took her foot off, she heard the unwelcome blare of sirens. "Damn it!" she thought. She was in enough trouble already, what with her day-long absence. Time to do some vintage Maria tale-spinning. She put on her most charming, helpful face as the trooper came up to her window. "You know how fast you were going?" His voice was mellow and pleasant. "I'm really, really sorry Officer. That Big Gulp I had at the last-" "License and registration please." His voice was still pleasant. She handed it to him with a sigh. It seemed like she didn't need Michael in her car to get into trouble in it. She pushed the image of him, fiercely inarticulate, arguing with her on the way to Marathon, out of her head. She really needed to focus on this particular crisis. He came back. "I'm going to have to ask you to step out of your car, Miss." He waved the papers in her direction. Politely. "Well that's just peachy," she thought. What the hell else had Michael run up using her car? As she yanked the registration out of his hands, her fingers brushed his and The world went screaming orange and red. The trooper's face elongated and shadowed and a mirror shattered behind him. A flying piece of glass stuck in her eye and as the blood rolled down she heard him say "This is who you are." "Miss?" He was waiting patiently. Watching her. Maria took a calming breath. "I think I should ask for some I.D." "That's ridiculous. Get out of the car." His voice had grown gentler, if that was possible "I don't think so." She started the engine. Suddenly there was a sharp crack, and a blur of glass as the window broke. She screamed and scrambled to the other side as he fumbled with the lock. She got out on the other side and started running. He came up behind her and grabbed her around the waist. She wriggled fiercely and spun around. She thanked her mother for the few self-defense tips interspersed between paragraphs of the Men Are Evil and Only Want One Thing lecture and kneed him. In a waking dream she watched him recover and strike her across the face. She grabbed his arm and bit down on it ferociously and pushed him away. She tried to run away again and he grabbed her around her knees. She crawled away from him, kicking hard and conserving her breath for what might come next. He pulled her inexorably towards him, his face the picture of calm. The last thing Maria thought as his fist arced down towards her face in screaming motion was : "That's funny. Shouldn't there be colours now?" She came to slowly, lying awkwardly on her side. Her hands were trussed behind her and she felt cold, sticky linoleum beneath her. She worked her jaw experimentally and winced at the tenderness. As her eyes accustomed themselves to the dimness she realized she was lying next to a wooden bed. She could hear (him?) shuffling around back behind her, maybe in another room. She spotted a shadow on the floor, on the opposite side of the bed. She wriggled closer. She could make out the shape of a person, lying on their side, facing her. "Hello?" She whispered nervously. "Hello? Look, maybe we can help each other out here. I'll scoot closer and we can try and get out of these...." Her voice trailed off. The girl wasn't much older than her, limp blond hair trailing over one shoulder. She lay stiff and still, and her eye-sockets were empty and crisping with blood. Maria closed her own eyes. Some one might notice she was missing soon, but how would they know where to find her? Liz and Alex...... And of course, the Fantastic Four had more important things on their mind. Besides which, she thought coldly, they had always been better at getting help from the humans than extending themselves to give it. Not since that first time Max had done the unforgivable and saved Liz, only to destroy her. She was no one's sidekick now. All she had was herself and she was not going to die today. Breathe in, breathe out, breathe in, breathe out....... She felt his footsteps nearer. His shadow fell over her as he squatted down. She lay limp as he rolled her over. She forced herself to pay attention to his face as her fingers worked busily behind her. He was so- normal looking. Then again, so was that FBI agent that she and Michael had tailed. God, she had been so excited and curious about Michael that- she mentally snapped out of her reverie. Now was definitely not the time to pine for her boyfriend . Ex-boyfriend, ex-boyfriend and that's the very last time you're gonna think about him. Deal? Deal. He grabbed her by her ankles and dragged her a short distance into the kitchen. He stood above her, looking down. Her hands were almost free now. Breathe in, breathe out.... "You have lovely eyes," he said politely, "Like a tropical sea." She decided not to reflect on the irony of a compliment she had once longed to hear because that would involve thinking about someone she had made a deal to not think about. She cast a glance around her and wished she hadn't. The glass jars were stacked neatly on a counter, each holding a set of eyeballs. They had labels on them. Some were peeling and discoloured. "I can't have you judge me." So said, he walked to the counter, and started examining a tangle of knives. Maria's vision blurred and the young man with his damned stopwatch started to come into view in a green haze. "No fucking way!" she hissed silently. "Go pick on someone else!" Her hands were finally free and she silently picked her way off the floor. She stepped on a loose tile and his head whipped around. She turned and sprinted out of the kitchen, looking for the door- where the hell was it?- and felt his hand clamp down on her shoulder. She struggled fiercely, silently, and he stumbled with her into the mirror by the door. She felt it shatter behind her and rays of heat went through her back. He let go of her, slowly and smiled. Everything was orange and red again. Behind him the horned and winged thing of her dreams hovered and sang to her. Come to me. Maria reached behind her and pried off a broken shard of mirror, uncaring of what her hard grip was doing to her hand. He reached out and pulled her to him, down onto the floor. "You see her?" he whispered. "You know who you are?" The thing flickered and changed, to the woman, to the man with long hair, and back to the thing again. But now, now it had her eyes. And it smiled and reached out a clawed hand. Maria looked at him. An ordinary, normal looking man whose face was glowing and streaked with tears. "Yeah," she said, "I guess I do." She whipped her hand out from behind her back and aimed the shard straight at his heart. He put his hands around her wrist and didn't let go, as the glass ripped past muscle and bone. He gurgled and sputtered and hung onto her with his death grip. And her head was pounding and her eyes were burning and her clothes were wet with his blood and with hers and she stayed like that, with him, even after he became stiff and cold. Hours later, the door broke down, and Sheriff Valenti was there, with his deputies, and a strange tall man with eyes as desperate and sad as hers. She was lying in bed, in the hospital. She had fended off the Sheriff's questions and her mother's tearful hysteria. Liz and Alex, the ones who had sent out the call to search for her, hugged her silently for a long time. " Where- ?" Her voice trailed off and they shook their heads. Still not back from their 'mission'. They probably didn't even know something had happened to her. What would they have done anyway? Michael's initial hysteria would have been tempered by Isabel's touch and Tess's cold words and Max would have been tortured and noble and ultimately persuaded to let the authorities handle it. God, why was she even bothering to think this out. They didn't know and had put themselves in the position of not wanting to know. That was all. That was all. She stared out of the window. She was too tired to even try to make sense of everything. She had sent her mother home for her lavender pillow spray. Better safe than sorry. She heard the door click open and close. The tall man sat down next to her. His face was creased with experience and his hair was streaked with gray. "Maria de Luca," he said. His voice sounded like he had been smoking cigarettes rolled with finely ground glass for years. "That's me." "I'm Frank Black. I work with the Federal Bureau of Investigations." She said nothing, simply looking at him. After a measured pause he went on. " Daniel Geyer had been on our lists for a good six years now. He had been slowly working his way across the southwest, mutilating and killing young girls. He seemed to believe that-" "That's just lovely. Thanks. So glad to have been of service to law enforcement." Silence ensued while he looked at her impassively. "Who did you see, Maria? Before you - saved yourself?" There was no sound but the ticking of the clock on the wall. "What are you- how do you kn- who are you?" He shrugged. It only made her more furious. "Look, I have had one hell of a day. You tell me what you know, right now, or- or..." her voice trailed off helplessly. She didn't even know what she was asking for. He reached into the pocket of his dark blue parka and pulled out a newspaper clipping. She took it from him. An article about the mysterious death of a politician's wife, in the South. The grieving husband was in the forefront, a graying and elegant man. In the back, holding a little girl, was a woman with pale skin and long brown hair and an expression of sweet coldness. She looked up at Frank Black, her throat clenched. He pointed at the woman. "Lucy Butler," he said. "Who is she? And how could she-" "I have come to believe that it is not who she is, but rather what she is that we should be concerned about. She has been involved in several violent and inexplicable crimes in my jurisdiction and continues to evade me. She seems to be most drawn to children, children that she wants to have, no matter the cost. What do you know about her, Maria?" She shook her head slowly, then faster and faster. "She comes to me," she said at last, "And I see- things. I always have. What does it mean, Mr. Black? Who am I ?" He squeezed her limp hand with a measure of understanding. "You may not believe it now, Maria, but I understand more than you know. I will protect you. And it will be between us. Can you trust me?" She nodded silently. "You will win this battle. You are not afflicted. You are gifted and I will help you understand the best I can. I will not let her have you." A final look passed between them and he got up to leave. "Thank you, Mr. Black." Her voice was small. He turned to look at her and actually smiled a little. "Call me Frank." He left, and minutes later, Amy DeLuca rushed in with a panoply of aromatherapy accessories, followed by the exasperated nurse. And life went on. The details of her incident had been mercifully blurred to the public, thanks to Jim Valenti's otherwise inconvenient fondness for her mother. The four returned and thus began a delicate summer dance for partners, with Alex and Liz staying as strong and as determined as they could be. She shared a few intense moments with Michael, but always pulled away, doubting his commitment and reluctant to ask for more. Kyle hovered on the edge, confused and suspicious of them all. Once the Jetta returned from the shop, the requests for transport and espionage support began again. She refused them every so often, testing her own resolve. She dreamed much less, now. When she did, the woman appeared in shadows and did not speak to her. Yet she seemed satisfied as she mocked Maria from a distance. Sometimes, as she walked along the streets of Roswell at night, she thought she saw the young man again, standing there, with his stopwatch at the ready. She refused to acknowledge him. Letters and encrypted e-mails arrived for her daily, from Frank Black. Some of them she understood. Others seemed too wrapped in millennial apocrypha for her to understand right away. Religion was a social construct anyway, wasn't it? Her mother experimented with emotional distances and closeness. Amy tried to persuade Maria to go away with her for the summer. Conventions, vacations, yoga retreats, anything at all. "We could go to California, honey," she told Maria a week into the summer vacation. "I know this art dealer who's been trying to put a show together for me. I know an art opening in Sunnydale may not put me on the map right away but you never know and it would be so nice to be somewhere else for a while..." Maria regarded her mother with fondness. "I don't know, mom," she said at last, "Maybe, okay?" She went to her room. She sprayed her pillow dutifully, and lit some rose-scented candles. She looked over Frank's last e-mail before turning her computer off for the night. All the message had said was : "Rupert Giles. Sunnydale, California." She locked the door and sat in front of her mirror, combing her shoulder-length hair. She wondered if she should cut it. She put the brush down and peered at her reflection. She held out her palm and breathed in and out, in and out. With each breath, the shard of mirror pulsed its way in and out of her palm, a little further out each time. She closed her hand around it and watched her shadow behind her, as it danced and shifted in the candlelight. THE END